As soon as critics sense even a whiff of Catholicism in the horror genre, they instantly begin to compare said works to The Exorcist. For me, Saint Maud has more in common with The Vigil, at least in terms of set-up and tone (death amidst religion). It also shares it’s slow-pace with A Dark Song which similarly went through the monotony and tedium
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A / 一個(gè)聲音-視線和情欲-時(shí)間的世界。撫摸植物的響動(dòng)觸發(fā)開(kāi)門(mén)聲并將目光引向身體;狹窄的門(mén)縫空間又沉默著將人物與身體召回固定視野之中;開(kāi)頭與結(jié)尾的火車(chē)則將時(shí)間涂抹成一個(gè)圓,但又溢出些“之后”的余波。由此探索的心理關(guān)系是如此見(jiàn)微知著:被邊緣化的性態(tài)在空間中占據(jù)了何種位點(diǎn)?它只是一種主流關(guān)系的替代性搬演,還是在那些欲言又止的解釋中流露出存續(xù)的微薄力量?
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