在歌舞片維度引入了真正“新”的東西：歌舞場(chǎng)景的無(wú)規(guī)則性和夢(mèng)境質(zhì)感（《愛(ài)樂(lè)之城》的炫技比之高下立判）。且歌舞本身甚至被拿來(lái)創(chuàng)造無(wú)法被定義的“新”的情緒（如：conductor的Excuse me一段）。The realization of the two relies fundamentally on the film’s expressive cinematography.
1.29GWS reflection: It consists the cultural dictatorship by exclusive distortion to the others, non-cisgender & heterosexual people. The restrained manners and metaphors meet the audience’s appetite for the peculiar existence, but still, mean the dark struggling process of LGBTQ who can only seek authentic expression amidst artificial tragedy.
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